Eric Cline came to glass work after 40 years as a lawyer, legislator and corporate executive. Although he spent a lot of time as a young person drawing and creating things of a structural nature, he had not pursued that interest for 40 years. Friends encouraged him to reengage his interest in form and representation by working with stained glass.
Eric was attracted to work in glass because of its inherent beauty and ability to interact with light and appear differently depending upon light, angle and other factors.
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